With a certain slow-motion poetry her first video focuses on pigeons of all colours who seem to have surrendered to the palm of their raisers. While watching captivating hand gestures that stroke pigeons’ bodies, hold their feathers like playing cards and fiddle with their collars the viewer bears witness to the peculiar relationship between man and bird whose nature is to fly. This silent video of the dance of hands and pigeons gently grasps the viewer who is then drawn into a situation where she experiences an urge to substitute herself with one or the other: “am I the hand? or am I the pigeon?”. In her other video of interviews with pigeon raisers Goktan seems to look for clues as to the unknowns of manhood when she asks them “aren’t there any women pigeon raisers?”
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